 G.I. Joe The Rise Of Cobra (2009) Movie Dual Audio BRRip 480p x264 400MB

Two soldiers stationed in Kazahkstan (Captain Duke Hauser and his partner “Ripcord”) are ordered to transport special warheads created by MARS, an arms’ manufacturer controlled by James McCullen. When they are attacked by thieves (led by Anastasia DeCobray, with whom Duke has history), they are saved by a top secret, international special forces unit known as “G.I. Joe”. The leader of G.I. Joe, General Abernathy (or Hawk) is on the trail of the thieves: an evil organization called “Cobra”. While Duke and Ripcord train to join the Joes, McCullen (“Destro”) is secretly working for Cobra and plotting to recapture his metal-eating “Nanomite” warheads. Duke and Ripcord (with help from Heavy Duty, Snake Eyes, and the rest of the Joes) must prove that they are Real American Heroes — by stopping the launch of these warheads before Cobra uses them to take over the world.

Reviews

I have to confess I’m not much of a G.I. Joe fan when I was a kid, partly because the other Hasbro product in transforming robots had more appeal to a boy than a bunch of plastic figures in military garb. The cartoon series too didn’t convert me either, as it was up against a whole host of classic series from MASK to Silverhawks, Centurion to Starcomm. Ahh, the wonderful 80s to be growing up…
So while I do not hold G.I Joe in as high a regard as Transformers, between the two films this summer based on the Hasbro toys, I will unabashedly proclaim that G.I. Joe triumphs over the other by a long mile. Michael Bay in his second robot outing has proved to be a two-trick pony, relying on countless of larger than large explosions – hardly a frame passes by without being engulfed in an inferno – and of course, Ms Fox’s bouncing assets in slow motion. While one can afford to leave one’s brains at the door for popcorn flicks such as these, Bay had forgotten than they have to be basically fun to watch, and magically he had dumbed Transformers down to a mind-numbing bore.
Enter Stephen Sommers, who had a couple of box office successes with the action-adventure genre in The Mummy movies, so this guy obviously knows what he’s doing, and it shows. Forget the excuse of a story just to link up the big set action pieces, and it is precisely in the action that Sommers understood when to show restraint, add in a dash of humour, pepper it with proper camera angles, though of course still unable to buckle the trend of slowing things down just before any impact. Slow motion unfortunately is here to stay I guess.

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